Skip to main content

The Simple, Painful Beauty of Lizzie McAlpine's "To the Mountains" (Music)

 

It’s April 5th, 2024, a rainy morning awaits outside my window. As I drag myself out of bed for the last day before the weekend, I must admit, I’m feeling sluggish. I’m practically sleepwalking through classes and meetings until I sit down to write. Why is there nothing in my brain? I pop in my AirPods, both of them even though the right one is useless, I do it mostly for the vibes or the hope I won’t be interrupted by people passing by my table. With one slight sound of a guitar, joy and a bit of sadness begin to paint my face as Lizzy McAlpine’s “To the Mountains” plays. This is what I will write about.


Today is no ordinary day for my sad boy music taste. It is the day that my favorite musician has released a brand new album, however I won’t listen to that for another few hours. I must wait for when I can go back to the solitude of my Lazy Boy chair and my Beats in the dark of my bedroom. For now I’ll settle with one of McAlpine's older tunes, a melancholy about finding solitude in what happens to be one of my favorite escapes, the mountains. It seems only right that this would be the tune for a rainy gloomy Friday. McAlpine’s music has almost always transported me as a listener to a whole new place while still making me feel every ounce of my actual life. In fact it was “To the Mountains” that introduced me to McAlpine in the first place. 

 

McAlpine’s song is beautiful and perfectly uncomplex; in fact, despite the array of instruments like violins, guitars, and a piano it is McAlpine’s voice and lyrics that stand above the rest. In the early stages of the song it shows its cards, verse one and two will give away what the entire song is trying to say. In this section McAlpine depicts that she is going to the mountains and tells someone basically to not try to get a hold of her. The listener quickly learns it’s because she needs time away for herself. The rhythm of the song takes something of a melancholy voicemail and you feel both for the sender and receiver of this message. 


As the song goes McAlpine crystallizes her feelings in the chorus which is the biggest departure from the typical beats of the song. In this she solidifies she needs to be alone. This pursuit of solitude is a result of who she is talking to, a person who has made her cry more times than she deserves, admittedly this is where we stop feeling so bad for whoever is the recipient of this message. She finishes the chorus with the line “I need to build myself a home.” Until this moment I wasn’t sure fully what this meant but I think she’s articulating the freedom that she needs, which may be represented by finding a new home away from the person who she once thought was her home. Perhaps it is the boldest step for anyone in life, to start anew.


In the outro however is where McAlpine truly thrives, reiterating her pursuit to the mountains. In this McAlpine finds herself almost building in confidence like this entire song has been an opportunity for her to work up the courage to speak her mind. In this case the singer's voice only grows in confidence through the outro with the last two lines cutting like a knife in the best possible way. There’s something of a peace to her voice, a calm confidence, and a finality in her decision to go and leave the toxic relationship or even world behind. It makes us kinda wish or reminisce we could or would have said that to someone,  “I’m headed to the mountains, don’t wait up for me.”


 Kaleb Unger


Comments

Popular posts from this blog

Ninety-Five Senses the Biggest Snub of the 2024 Oscars (Movies)

A few weeks ago the Oscars came and went with mostly positive reviews. There were no slaps or wrong announcements in fact it was hailed as a success. This came as welcomed news for the Academy as it has been a rather rough stretch of shows the last few years. Even bigger for the Academy was that not only was the show a broadcasting and entertainment success but their choices were hailed as consistent and dare I say correct. I know shocker, the Academy picked the right people to win, what a world we live in. However, now that we are a few weeks removed and my daze of excitement from Gosling's dazzling “I'm Just Ken” performance is gone, I have one major complaint about what I thought was the biggest snub of the night.  Usually the public gets up in arms about things like best picture or best actor, these are the categories that most are at least a little bit educated on. This means upsets like Shakespeare in Love winning over Saving Private Ryan are almost always the big story....

You Should Watch: Big Fish (Movies)

         Tim Burton is a bit eccentric, well maybe very eccentric but that is what makes him so endearing. Whether it’s Beetlejuice or his iteration of Batman in 1989 it seems that the award winning director prides himself and his films on being well, distinguishable. Burton has had his fair share of successes and flops. When it comes to the flops however they are often one sided in the sense that if the critics don’t like it usually the audience does and vice versa however if neither like it you can count on his devoted group of fans to find the silver lining. This is what makes his 2001 remake of Planet of the Apes rather disappointing, aside from an interesting twist Burton’s rendition to put it kindly falls flat on its face and seemed to not land with any audience. Burton's career has not really been the same since so what comes next in Burton’s filmography after this misstep is potentially his most underrated and odd film of all.     ...